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Yes, I have seen a # similar clocks, at least in terms of case design.I got 7 clocks in a Tennessee auction. Luckily I was able to pick them up as was on vacation near the auction. Here's one. I imagine it's French. Bell Tower strikes on half hour and hour. Says 1830 on back. Anyone seen anything like this that can give me some info. No makers mark.
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Thanks. Thanks for that link. I will go with it is silvered. I'll add pics of bottom which isn't.Yes, I have seen a # similar clocks, at least in terms of case design.
I have seen them in gilded metal, alabaster, porcelain, you name it.
Most seem to be French and have a similar standard round plate movement like yours. That it appears to strike the bell in the tower is a nice feature.
I suspect most started out having a pair of matching garniture to display with the clock. Those are typically are lost.
For example, see this (sold clock):
Antiques Atlas - Silvered And Ormolu Bronze Cathedral Clock (antiques-atlas.com)
They say "silvered", I wonder if stripped to the bare metal?
I suspect the inspiration may have been one of France's fine Gothic cathedrals, e.g., Notre Dame of Paris or Reims??
Some were made as miniature replicas of a cathedral.
I have also seen English skeleton clocks made to resemble any one of its fine Gothic cathedrals. Some of those are quite impressive with a fusee movement.
In the USA, we have various forms of "steeple" clocks:
View attachment 723266 View attachment 723267
Much simpler, cheaper, and accessible.
So a Gothic cathedral inspired clock case design was a popular and well known choice in the 19th century.
RM
Definitely silvered as it's totally made of brass not metalYes, I have seen a # similar clocks, at least in terms of case design.
I have seen them in gilded metal, alabaster, porcelain, you name it.
Most seem to be French and have a similar standard round plate movement like yours. That it appears to strike the bell in the tower is a nice feature.
I suspect most started out having a pair of matching garniture to display with the clock. Those are typically are lost.
For example, see this (sold clock):
Antiques Atlas - Silvered And Ormolu Bronze Cathedral Clock (antiques-atlas.com)
They say "silvered", I wonder if stripped to the bare metal?
I suspect the inspiration may have been one of France's fine Gothic cathedrals, e.g., Notre Dame of Paris or Reims??
Some were made as miniature replicas of a cathedral.
I have also seen English skeleton clocks made to resemble any one of its fine Gothic cathedrals. Some of those are quite impressive with a fusee movement.
In the USA, we have various forms of "steeple" clocks:
View attachment 723266 View attachment 723267
Much simpler, cheaper, and accessible.
So a Gothic cathedral inspired clock case design was a popular and well known choice in the 19th century.
RM
Ok I should have said steel as that was what I was commenting on.Brass IS metal!![]()
That's a seperate plate piece. Not one piece has over spray or paint on inside. Which would be almost impossible to pull off of it had been painted.. even the piece your looking at from the bottom is the outside of that part.Nice looking clock.
Are you sure that it is not some kind of metallic paint? You can see the bottom of the clock above the base is colored, from when the pieces were separated, and would not have been originally. The metal doesn't (IMO) appear to be finished for proper silvering.
I would think it is bronze, originally two toned. Gilt and patinated. Most that I see are this way. I think the silver color is a misguided past restoration.
Just my two cents, thanks for your interesting posts.
Will
Nice reference.I still believe it is not original, including the clock at that retail space. The finish looks very homemade. There are dings that should have gone through the finish but are actually covered by it. A clock of this time would not have been finished in a manner underneath, that is out of sight and with a possibly precious metal no less. Especially not so fully, IMO. Very strange. I could be wrong but see no harm in continuing the discussion.
When I post clocks, I don't always expect to hear what I want, but it is positive regardless because of the intent behind it. Which is what I hope you draw from my comments. Which are still only my two cents.
Here is a very brief history of Cathedral clocks and some examples in Pierre Kjellberg's Encyclopédie de La Pendule Française. It is of course not all encompassing but shows you other examples. They are all gilt bronze or a combination of gilt and patinated bronze, which was very popular at the time these were produced.
Will
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Thanks for the picI still believe it is not original, including the clock at that retail space. The finish looks very homemade. There are dings that should have gone through the finish but are actually covered by it. A clock of this time would not have been finished in a manner underneath, that is out of sight and with a possibly precious metal no less. Especially not so fully, IMO. Very strange. I could be wrong but see no harm in continuing the discussion.
When I post clocks, I don't always expect to hear what I want, but it is positive regardless because of the intent behind it. Which is what I hope you draw from my comments. Which are still only my two cents.
Here is a very brief history of Cathedral clocks and some examples in Pierre Kjellberg's Encyclopédie de La Pendule Française. It is of course not all encompassing but shows you other examples. They are all gilt bronze or a combination of gilt and patinated bronze, which was very popular at the time these were produced.
Will
View attachment 723700
The reason those were finished underneath is they overhang and are seen underneath on outside also. Look at the pics of the two flat plates on the bottom. They overhangI still believe it is not original, including the clock at that retail space. The finish looks very homemade. There are dings that should have gone through the finish but are actually covered by it. A clock of this time would not have been finished in a manner underneath, that is out of sight and with a possibly precious metal no less. Especially not so fully, IMO. Very strange. I could be wrong but see no harm in continuing the discussion.
When I post clocks, I don't always expect to hear what I want, but it is positive regardless because of the intent behind it. Which is what I hope you draw from my comments. Which are still only my two cents.
Here is a very brief history of Cathedral clocks and some examples in Pierre Kjellberg's Encyclopédie de La Pendule Française. It is of course not all encompassing but shows you other examples. They are all gilt bronze or a combination of gilt and patinated bronze, which was very popular at the time these were produced.
Will
View attachment 723700